• Smoke N Mirrors B-real
• Lee Ritenour Albums

Lee Ritenour - Smoke 'n' Mirrors (2006) FLAC1CD EAC Rip FLAC (Tracks) + Cue + Log + Covers Rar 3% Rec. 483.54 MBGenre: Crossover Jazz, Smooth Jazz Label: Astra RecordsTRACKLIST01. Smoke 'n' Mirrors - 5:0902. Capetown - 4:4103. Southwest Passage - 6:1404.

Waters Edge - 3:5505. Blue Days (Dias Azuis) - 5:1606. Spellbinder - 5:5007. Memeza - 2:1708. Povo - 6:4309. Lovely Day - 5:5810. Township - 5:2111.

Smoke N Mirrors B-real

Forget Me Nots - 4:4612. Stone Cool - 4:4213. Motherland - 4:2714. 4 1/2 Storms - 5:34Download Links. Download From FileServeFrom FileSonicyou!

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Artist: Various ArtistsTitle Of Album: 100 Best Sensual ClassicsYear Of Release: 2013Label: Warner Classics/EMICountry: InternationalGenre: ClassicalQuality: FLAC (tracks)Bitrate: LosslessTime: 7:15:28Full Size: 1.85 GBThe first CD begins with the main theme from one of the great movie successes of our time: Titanic and it is followed by the passionate Intermezzo from Mascagni’s opera Cavalleria rusticana, heard in the film Raging Bull. Passion is also felt in the tango ‘Por una cabeza’ from the film Scent of a Woman, and a different kind of subtle sensuous emotion is contained in ‘Any Other Name’ from American Beauty. All these popular film themes have established themselves as sensuous classics, whether they be by the giants of the classical world like Mozart (Elvira Madigan) and Rachmaninov (The Seven Year Itch), or writers of great film scores like Mikl?s R?zsa (Ben Hur) and Michael Nyman (The Piano).CD 2 covers sensual orchestral and instrumental works, starting with Gershwin’s glamorous Rhapsody in Blue that reflects the throbbing pulse of life in New York. Heard on this disc are several orchestral arrangements of well-known opera arias, including the ever-popular ‘Nessun dorma’ from Turandot, the Love Duet from Madama Butterfly and the heartbreakingly beautiful ‘E lucevan le stelle’ from Tosca, all by Puccini. Also heard here is part of Rodrigo’s Concierto de Aranjuez with its colourful evocation of romantic life in old Spain and Liszt’s Liebestraum No.3 that is a deep expression of love.In CD 3 we move fully to the world of opera, where there are many sensual moments to be enjoyed, starting with the insinuating beauty of two female voices entwining enticingly in the Flower Duet from Lakm?

A more teasing kind of female flirting is heard in two famous pieces from Bizet’s Carmen, and then Delilah’s seduction of Samson inspires the two beautiful arias from Saint-Sa?ns’ Samson et Dalila. The disc ends with three extracts from one of the most sensuous operas of all: Der Rosenkavalier by Richard Srauss, where three radiant female voices reach an almost unbearably erotic climax in the final Trio.The next CD brings us a collection of dances in which a range of sensuous music is used in a variety of different styles, from the close embrace of couples dancing the waltz to the exhilaration of the Latin American beat heard in Bernstein’s West Side Story. Tangos are well represented, especially in the compositions of Piazzolla and Gardel, and the CD ends with Ravel’s impassioned Bolero, made famous by the skaters Torville and Dean’s Olympic Gold Medal performance at Sarajevo.CD 5 is devoted to the sensuous quality of the female voice in beautiful and sometimes wordless songs that evoke feelings of attraction and love between the sexes. The pervading mood here is Latin, with familiar melodies like ‘La paloma’ and the Aria from Bachianas brasilieras sung by much-loved divas like Barbara Hendricks, Victoria de los Angeles and Natalie Dessay. But it’s not all Latin, with songs by Elgar (‘Sea Slumber-Song’) and Wagner (‘Der Engel’) coming towards the end of the disc, which finishes with a group of voluptuous melodies by Richard Strauss from his valedictory Vier letzte Lieder sung by Lucia Popp.The last CD takes us to the ballet, where beautiful ballerinas flirt with love-struck princes and cavaliers and ensnare them with dazzling displays of virtuoso dancing.

Lee Ritenour Albums

But we begin with the primitive pulsating of a pagan ritual involving a chosen maiden in Stravinsky’s Le Sacre du printemps, which has still lost none of its power to stimulate and excite its listeners. Then comes the erotic Adagio from Khachaturian’s epic ballet Spartacus, and the Balcony Scene from what is now one of today’s most popular ballets: Prokofiev’s Romeo and Juliet.