• Surrender To Love Book

As I recall, after a phenomenal at the Duke of Wellington in 1989, Vanessa Mackness and her friend Andree asked if I'd send a copy of my cassette recording. In return, Andree sent me this recording of Vanessa in duet with Barry Guy. I hope nobody objects to me posting this music by an incredibly well-matched, fast-listening duo. After making recordings with John Butcher, Derek Bailey and Company, it appears Vanessa left the scene to concentrate on her painting.VANESSA MACKNESS, voiceBARRY GUY, bass1.

24:53 (possibly from a different date)Vortex, London. 12 October 1989. The WandererA3. In Dew TimeB3.

Five/As Long As There's MusicScott Alexander, bass (A2-B3)Claude Ranger, drums (A2-B3)Jane Bunnett, flute, soprano saxophoneVincent Chancey, french horn (A2-B1, B3)Brian Dickenson, piano (B1, B3)Don Pullen, piano (A1-A3)Dewey Redman, tenor saxophone (A2, A3, B2, B3)Larry Cramer, trumpet (A2-B3)Recorded at Manta Sound Recording Studio, Toronto, on February 25-6, 1988.Dark Light Music Ltd. ‎– DL-9001Vinyl Rip. A slightly less than perfect recording off the radio - I just found this cassette which used to get a lot of play in my Walkman at work. With no info on the cassette, I had to google to try and find some details.

I found a review of the concert which said the music didn't hang together, was under rehearsed and too long. Well you could have fooled me! Bobby Watson composes some of the most attractive music in jazz and this concert was really fantastic (in my opinion). Enjoy.BOBBY WATSON, ED JACKSON, JIM HARTOG, RICK ROTHENBERG, BILL SAXTON, CRAIG BAILEY - reedsANDRE ATKINS, JACK SCHUTZ, NOAH BLESS, THOMAS SULLIVAN - trombonesPATRICK RICKMAN, MELTON MUSTAFA, TERELL STAFFORD, JACK WALRATH - trumpetsEDWARD SIMON - pianoESSIET OKON ESSIET - bassVICTOR LEWIS - drumsRAY MANTILLA - perc'AFROISMS - THE SPOKEN WORD'1. Outro Brian Morton 0:50TT 89:37Glasgow International Jazz Festival.Old Fruit Market. July 1994BBC Radio 3 'Impressions'.ps. If anyone has a more pristine copy of this, please speak up.

Tony Oxley, drums, percussionAndreas Schreiber, violinDieter Glawischnig, piano1. Unknown title 31:15 (first set?)2.

Unknown title 07:482. Unknown title 02:354. I thought this tape was a write-off but no - here is an absolute gem from the truly marvellous Mujician that was. The most musical of free improvising groups - time, no time, exquisite beauty, intensity, incredible interaction - it's all here. Check out Tippett's flight at about 12 minutes in with bass and drums and wish, like me, that they had worked as a trio too. Dunmall leaves his tenor in the case and wows on baritone and soprano. Telecharger brida paulo coelho pdf gratuit telecharger. Listening to this has reminded me just how fantastic this group was.

Take thirty seven minutes and have a listen and let me know what you think.TONY LEVIN, drumsKEITH TIPPETT, pianoPAUL ROGERS, bassPAUL DUNMALL, baritone and soprano sax1. Hearts beat me. 37:03Bluecoat Arts Centre, Liverpool. 13th November 1989NB. Rapidshare, Game Front and Zippyshare (further down) links in the comments. A repost of sorts,years ago, i started sharing this set here in installments, but for some reason, never got around to finishing it.Mostly because my original rip wasn't up to scratch, the records were dirty and so forth.I've had a few Email requests over the years, asking for the un posted volume.Here they all are together in one huge split archive!Anyhow its a much more meticulous rip,Executed using superior equipment, stylus, turntable etcI dedicate this to our friends here past and present, Nick, Onxi, Andy, Kinabalu. A great Steve Lacy Lp that's unlikely to be reissued anytime soon, this one has never achieved the cult statusof much of Lacy's contemporaneous output, not at all obscure or rare it can still be purchased for under 20 bucks.Recorded in New York, Little Known bassist Ron Miller,(Same Guy who's on Dave Burrell's After Love, presumably)subs for J.J.Avenel,an intriguing player who sounds right at home.Terrific versions of The Throes, Blinks, and No Baby.I Know this has been around before as Mp3's.

Worth a listen!Enjoy!Info from DiscogsSteve Lacy ‎– RapsLabel:Adelphi Records Inc. ‎– AD 5004A1-StampsA2-No BabyVoice – Oliver JohnsonA3-The ThroesB1-RapsB2-BlinksRecorded on 29 January 1977 at Blue Rock Studios, NYC.Steve Lacy-Soprano SaxSteve Potts-Alto &Soprano SaxesRon Miller-DbOliver Johnson-dr.

For Tony Continued. Frank Lowe really was on a Roll, at this point. Every release seemingly more potent than the last, this one has a terrific line up. And Lowe had worked frequently with all of them,in various combos. Some years ago i believe we posted a contemporaneous show recorded from the Audience at Angouleme FR.

Without Wadada.Leo Smith. I'll try to reupload that soon.As with most Recordings on Kharma, which was run on a shoe string budget, the sound is a little one dimensional, whatever its sonic shortcomings Musically this is superb!As i may have mentioned a few thousand times.

For me Lowe was the greatest! And he is certainly Sorely missed.his late work has equal gravitas, go to the cadence website and check the audio samples of 'Vision Blue', Bodies and Soul'.' Legends streets one and two'Kharma 2 USA LP NYC 5/21/77Frank Lowe-ts; Olu Dara-tp; Leo Smith-tp; Phillip Wilson-d; Fred Williams-bTrombone (dedicated to George Lewis & Joseph Bowie) (Lowe) 4:30Crush (Lester Bowie) 7:45Parts (Lowe) 7:30Doctor Too-Much (Lowe) 7:55Structuralism (Lowe) 3:35Broadway Rhumba (Lowe) 5:30Future Memories (Lowe) 4:45Enjoy!! There'll Be ComebackB1. Y's MarchYoriyuki Harada, piano, ocarina, clarinet, bass clarinet, soprano saxophoneKeiki Midorikawa, cello (A3)Hideaki Mochizuki, double bass (A3, B2, B3)Ryojiro Furusawa, drums (A1, B1)Tony Koba, drums (A1, A2, B1)Sabu Toyozumi, drums, percussion (A3, B2, B3)Tetsu Yamauchi, electric bass (A1, A2, B1)Hiroshi Hatsuyama, vibraphone, marimba, glockenspiel, xylophone, harmonicaRecorded and mixed at Nippon Columbia Studios 1, 3 and 4, Aug 20 - Oct 6, 1980.Better Days ‎– YF-7040-NVinyl Rip. Lyra For Piano And Tape RecorderA2.

Elegy For Double Bass And Tape RecorderB1. Evening Song For Soprano And Tape RecorderB2. In Memoriam: Hugh LeCaineDavid Keane, tape, electronicsMonica Gaylord, piano (A1)Joel Quarrington, double bass (A2)Karen Skidmore, soprano vocals, voice (B1)Electronics recorded at Queen's University Electronic Music Studios. Kingston, Ontario, Canada.A side was recorded at the First Annual Festival of Electronic Music, at the Music Gallery, Toronto, in January 1979.B2 was premiered at the 8th International Festival of Experimental Music, Bourges, France, in June 1978.Music Gallery Editions ‎– MGE 29Vinyl Rip. NotesSteve Lacy & Lee Konitz-Paris1 March 1984Steve Lacy - soprano saxophoneLee Konitz - alto saxophone01. Introduction 1:0502.

Blues (Steve Lacy & Lee Konitz) 11:0603. All The Things You Are (Jerome Kern & Oscar Hammerstein II) 6:0404. Wickets (Steve Lacy) 6:0205. It's You (Lee Konitz) 4:51 Lacy out06. Descartes (Lee Konitz) 4:2207.

Ask Me Now (Thelonious Monk) 6:45 applause cuts out08. Blues For Aida (Steve Lacy) 7:4309.

Surrender To Love Book

Evidence (Thelonious Monk) 4:13 Konitz out10. Deadline (Steve Lacy) 6:4511.

No Baby (Steve Lacy) 6:1412. Hot House (Tadd Dameron)/Subconscious-lee (Lee Konitz) 5:38Total Time: 70:47FM?SBD??Trade CDEACFLACVuzeDime. Peter Kuhn Clarinetist extraordinaire, and friend of this blog, recently kindly offered to share some fragments featuring Polly Bradfield,himself and Carolyn Romberg, recorded at a house Concert in Santa Cruz California in the 70'sHere's Peter in his own words Reminiscing about that little known scene.one which clearly spawned some major talent!'

Philadelphia's Kindred the Family Soul - aka Fatin Dantzler and Aja Graydon - are a married duo that fronts a ten-piece band and plays some of the most inspiring melds of soul, R&B, hip-hop, funk, pop, smooth jazz, and soft rock. Surrender to Love is the act's debut full length - an EP appeared during the previous summer to critical and club acclaim. The quality in all of these self-penned titles is astonishing given what passes for soul these days. One can hear the fine, sweet, emotionally and musically true inspiration of Womack & Womack, Ashford & Simpson, Roberta Flack, and Donny Hathaway here, but also the nu-soul grooves of Fertile Ground, Julie Dexter, and YahZarah as well. The shifting jazzy guitars in 'Rhythm of Life,' as they wind their way around the syncopated vocals, both as exchanged lines between the pair and as a chorus with a hi-hat and rim-shotting snare, make for a gorgeous midtempo groover that crosses the slick jazzy sophistication of Steely Dan with the soul grit of Lauryn Hill and Freda Payne. The album's first single, with its sweet yet spare washes of strings, subtly shaded guitars, and Dantzler's sweet and in-the-pocket tenor phrasing, is a plea for respite from the grimness of urban life.

When Graydon hits the chorus and slides in a filler tag, the cut opens up, and when her verse begins, the listener understands that this is a love song above all, and as lovers plead for transcendence with one another, the listener is moved deeply into their wish for deliverance. There are 18 tracks here, and not a one of them is filler. Each moment of Surrender to Love is saturated in both accessibility and integrity. Soul music is far from dead if one listens to Kindred and their peers; they make the argument that no matter how gritty, how grim the circumstance, the struggle is not without merit. Give a listen to 'We,' with its manifesto of home in a slow-tempo poetic groove. Other standouts - even though it's tough to choose - are 'What Happens Now,' 'Contentment' with its Tuck & Patti airiness, the anthemic 'Spread the Word' with its Latin percussion-drenched funk that is equal parts Sly Stone, Ray Barretto, and War, the swinging, jazzed out 'If I,' which could have been sung by Monday Michiru, and the overdriven hip-hopping funk of 'Party's Over.' (There's a hidden bonus track after cut 18 so don't take it off prematurely.) This is as impressive a debut as one is likely to encounter in 2003.

A mindblower. Thom Jurek.